Matteo Simonelli, the well-known singer of the pope?
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His first major success was gained in Paris at the age of nineteen, and to this he owed his European reputation. From Paris, Corelli went to Germany. In he was in the service of the electoral prince of Bavaria; between and he spent a considerable time in the house of his friend and fellow violinist-composer Cristiano Farinelli believed to be the uncle of the celebrated castrato Farinelli. From to he was in Modena; the Duke of Modena was generous to him.
In he returned to Rome, living in the palace of Cardinal Ottoboni.
His visit to Naples, at the invitation of the king, took place in the same year. The style of execution introduced by Corelli and preserved by his pupils, such as Francesco Geminiani, Pietro Locatelli, and many others, was of vital importance for the development of violin playing. It has been said that the paths of all of the famous violinist-composers of 18th-century Italy lead to Arcangelo Corelli who was their 'iconic point of reference.go to link
Twelve Trio Sonatas, Op. 1 (Vivaldi) - Wikipedia
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One can immediately sense its panache and dancelike lightness from looking at the score. The double bass can develop its astonishing spectrum of sound and pitch both as a solo instrument in the first part and as continuo — and as an orchestral instrument in the second to fourth double bass parts. It is a work that really understands the double bass and demands a lot from it.
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It unites the mounting elemental force in the beginning and the baroque-jazzy second part with the fragile brittleness of the instrument in the final part of the work. Originally composed for two violins, it is ideally suited to the double bass in terms of playing technique. Today, the work is usually performed with oboe and violin. With two identical instruments, the sound is so interwoven that one can hardly separate them.
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Trio Sonatas, Op. Handel Trio Sonata in G minor, Op.