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Agosta, the Pigeon-Chested Man, and Rasha, the Black Dove

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View details. March 20, This work was made in in Berlin, where Schad lived from to It is executed on a plain-weave linen canvas with the paint applied consistently all over. As part of their performance, Agosta displayed his upside-down ribcage — a deformity with which he was born — while Rasha, who was from Madagascar, appeared with a large snake wrapped around her see Joachimides, Rosenthal and Schmied , p. Agosta, the Pigeon-Chested Man, and Rasha, the Black Dove can be closely related to the development of Neue Sachlichkeit New Objectivity , a style of precise realist painting that first emerged in Germany in the early s in response to more abstract forms such as cubism.

Born in Bavaria in , Schad trained briefly at the Art Academy in Munich in , where he made expressionist woodcuts.

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He moved to Switzerland in , living first in Zurich and then from to in Geneva, where he became part of the emerging Dada movement. Between and Schad lived in Italy, where his practice was especially influenced by Renaissance artists such as Raphael — , before moving to Vienna in , where his work included Self-Portrait Tate L Further reading Christos M.

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The black woman and the pigeon-chested man were accustomed to scrutiny, earning their living as sideshow acts in Berlin funfairs. Unusually this unsettling portrayal of the objectification of the body, voyeurism and social alienation is focussed on the male as well as the female nude.

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In the Studio: Studio Practice Free entry. Artist Christian Schad — Medium Oil paint on canvas.

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Dimensions Support unconfirmed : x mm frame: x x 50 mm. Collection Lent from a private collection On long term loan.