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McQueen does not shy away from hard truths, and does not even try to mask the explicit nature of some of the sexual acts. Seeing how far Brandon will go to satisfy and suppress himself is simply harrowing, not unlike films like Trainspotting and Requiem for a Dream were with their characters' drug addictions. While the film and its frank depiction of sexuality are sometimes difficult to watch, I found myself mesmerized by the choreography and cinematography at play throughout. McQueen frames the film with the audience in the position of a voyeur.

Early on, we see Brandon's morning routine, featuring Fassbender roaming around his chic apartment totally naked. We see him at his most honest and his most vulnerable, a man who is unable to hide the truth about himself.

‘I was dying of shame’: Mexican science faces its #MeToo moment

Later, we watch him as he interacts with his office co-workers from behind huge glass windows, and from a table across from him at a restaurant while he is on a date. McQueen uses a lot of unbroken shots to help depict this slice of Brandon's life through tracking shots and an immense amount of long shots. They help set the very somber mood, and allow the audience to continue watching as if they were an actual character peering into the events that transpire for him. McQueen also expertly uses music to help dictate the action on screen, tearing away the dialogue or sounds of the scene.

It makes for an awkward feeling, but one that evokes a response with every new scene. But for all of the shock and audacity, McQueen still managed to make a deeply troubled film that leaves a lot unsaid, and even more unresolved. He does not give out simple answers for what causes Brandon's addiction, or even the reasoning behind the troubled and strained relationship between Brandon and Sissy. While leaving some things enigmatic and up to the viewers to decide many have already voiced their concerns regarding incest, which seem a bit too outrageous for this kind of film is incredibly intriguing and help further propel the voyeuristic means of viewing the film, it also makes for maddening thoughts afterwards.

What exactly is McQueen trying to say? What is the point he is trying to make? It all feels like it builds towards nothing outside of an unsatisfying and deludingly ambiguous climax.

Mindfully Letting Go of Shame : zen habits

As mentioned earlier, it feels like the story and just about everything else came second to the portrait he wanted to paint through Fassbender's canvas. I can appreciate the film as it is, but it makes it hard to love it the way I thought I would. Fassbender is stunning as Brandon, magnetizing the audience from the beginning all the way to the end. He propels the film, using his reactions and emotions to define the character. He makes Brandon's struggle one that is very real, and almost horrific. He is unable to feel intimacy, and watching him struggle to fulfill his urges is fascinating and deeply disturbing all at once.

Watching his face through candid closeups, you can see just how much raw power went into the role. But while it is a stellar and tortured performance that more than proves his weight as an up and coming actor, I never found him to be nearly as incredibly impressive as we know he can be. I still find myself at odds with how great it was, and how much greater it could have been. While James Badge Dale is effective in his small role as Brandon's smarmy and sleazy boss David, it is Mulligan who truly compliments Fassbender.

Her role does not ask a whole lot of her, but her pained expressions and infinite desire to be loved by everyone is more than enough to make this a memorable turn for her. While the full frontal nudity was near useless, I only wish that she could have done more.


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Shame is a very well done film, but one that will divide audiences. On one hand, it is an expertly crafted film about addiction that packs a great lead performance. On the other hand, it is a maddening film that answers very little it asks and sometimes shocks just for the sake of it.

It is an impressive feat for a second feature, but one that I think could have been even better.


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Trailers and Videos. Crazy Credits. Alternate Versions. Rate This. A sex addict's carefully cultivated private life falls apart after his sister arrives for an indefinite stay. Director: Steve McQueen. From metacritic. Related News Who should receive an Honorary Oscar? Golden Globes Nominees: Then and Now.

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Hunger Biography Drama. An Education Frank II Comedy Drama Music. The talk was a success, and afterwards her university adviser introduced her to several prominent scientists in her field of study. With one hand, he stroked her skin; with the other, he masturbated. Dana says that the behaviour was unexpected and unwanted. She had agreed to share a room with her adviser to save money, but the two did not have a romantic or sexual relationship. The next day, her adviser grabbed her hand and tried to kiss her during the long ride back to their university.

When they arrived, he congratulated her once more before leaving. Dana — who asked Nature to refer to her by a pseudonym, to protect her from ostracism and retaliation — never went back to his lab, nor did she finish her degree. Hundreds of similar stories from across Mexican academia have emerged on Twitter in recent months, as women have shared their experiences of sexual harassment and abuse. Many described incidents involving senior scientists at universities and research institutions across the country.

The latest tweets also contribute to science's own MeToo moment — a growing awareness of sexual misconduct in research settings, and the harm it causes.

Shame In You

Some researchers are pushing universities to take stronger action against sexual misconduct in laboratories and classrooms, and at scientific meetings. The team last year published results from its survey of the steps that 40 universities and research centres have taken to ensure gender equality — including policies to prevent, monitor and punish sexual harassment and assault. The institutions, spread across Mexico, scored an average of just 1. Even some of the universities that ranked highest in the survey have faced criticism over their policies.

In , UNAM — a giant of Mexican higher education, which enrolls about , students across roughly 20 campuses — implemented its first protocol to address gender violence. The term is widely used in Mexico to refer to sexual harassment, assault and abuse. The original version of the policy gave adults who had been the subject of such behaviour up to one year after an incident to file a complaint, a condition that UNAM eliminated in March in response to outcry from students. The university declined to comment further on the rationale for the switch.

But it says that the introduction of the protocol has prompted a spike in gender-violence complaints: in less than three years, compared with just from to Since UNAM put in place its protocol for handling complaints in , the university has sought to ensure that victims of sexual harassment and abuse can "file a complaint without re-victimization, and with legal and psychological support during the procedure", she says.