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In , Gray designed and co-created the bass veena, a multi-stringed instrument, which combines the fretless bass with elements inspired by various Indian stringed instruments. Justin is the first artist to perform on this instrument worldwide. Dan MacDonald began playing the fiddle at a young age, under the instruction of his father, Lloyd MacDonald, himself a well-known and respected Cape Breton fiddler. The Island informs his now diverse musical voice, which has grown in strength and scope as he has travelled the globe and worked with a myriad of musicians.

Andrea Bettger has experience playing classical, jazz and bluegrass styles, and experiments in the electric world of sounds on her instrument. She has become heavily involved in the Northern-fiddling scene. She has performed and recorded with countless artists including The Rheostatics and the Jerry Cans, and has shared the stage with Jimmy Rankin and Buffy St. The fusion of these approaches results in an exciting blend of toe-tapping material, complemented with meditative and heart-warming melodies. Each of the members is an experienced performer in their own right, having performed at festivals, competitions, and ceilidhs around the world.

Since the release of their debut album in , West of Mabou has performed at numerous festivals in Canada and the U.

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So Long Seven performs richly textured acoustic music that brings their diverse influences into a distinctly Canadian voice. Influenced by bands such as Punch Brothers, Shakti, Oregon and many others this band is breaking new ground. At once spirited and meditative So Long Seven is creating a seamless blend using the tabla Ravi Naimpally , banjo Tim Posgate , violin William Lamoureux and acoustic guitar Neil Hendry to make their original music.

Joining them in this project, Zakk Cormier is a talented multi-instrumentalist with deep roots in the Acadian community of Prince Edward Island. Few recording artists are as creative and prolific as Bruce Cockburn. Since his self-titled debut in , the Canadian singer-songwriter has issued a steady stream of acclaimed albums every couple of years.

But that output suddenly ran dry in following the release of Small Source of Comfort. There were good reasons for the drought. For one thing, Cockburn became a father again with the birth of his daughter Iona. Then there was the publication of his memoir Rumours of Glory. This prolific Acadian singer-songwriter has toured Europe, Africa, Canada and United States enthralling audiences with his rich voice and well-crafted songs. With his 9 albums, Danny is playing everything from folk to country, all with a touch of the traditional. Kristine St-Pierre is a bilingual folk singer-songwriter with soul-searching ballads and a rollicking bluesy charm.

In his new self-titled project he brings together his French and English roots.

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Accompanied by his guitarist Sean McCannell and drummer Gaelan Malloy, he creates a high energy show with genres ranging from rock, folk, pop and dance. The project strives for each show to bring variety, connection and memorable experiences. Combining throat singing, haunting melodies and traditional legends, the JUNO award winning pair are excited to present a mix of flavours from across the North. As Ayalik charismatically embodies her stories, Gritt infuses it with a soulful blues to create an experience that consumes the senses. The pair tailor their music to examine colonialism, while offering ways to empower marginalized groups.

Sandra Sutter is a Calgary-based singer songwriter who has performed at many different venues across western Canada. She sings, writes and plays in a variety of styles including folk, country, jazz and rock. Sandra is inspired by her Indigenous heritage and has been active in the arts, particularly music, for many years. Dena Zagi was created in by Jenny and Dennis.

Dena Zagi is a traditional contemporary duo and their music is written in the Kaska language and the lyrics are about the land, animals, respect, ancestors and traditions. Over the course of their decade-plus career, Kerri Ough, Sue Passmore, and Caroline Brooks have covered plenty of stylistic ground, adding tinges of pop, roots, jazz, even hip-hop to their country folk core. Through it all, the unmistakable sound of their intertwined voices has been the sonic anchor. That remains true as the Good Lovelies push further into the mainstream with their most accessible and pop-influenced output to date.

Performance highlights include major folk festivals across Canada, headlining slots in overseas Americana festivals, and a recently sold out run across the UK.

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Their sophomore album, What We Leave Behind, released September 29, , reflects on the traditions of Canadian Celtic music, where it comes from, and what it means to the people, but also strides in new directions. With a captivating balance between their traditional-sounding instrumental tunes, and catchy radio-ready songs, The East Pointers reach out with open arms to a wide range of listeners, inviting them to discover a new love of folk music. Born in Ayrshire, Scotland to parents who were factory workers, he moved to Canada when he was twelve.

For decades, he worked across Canada in rail yards, construction sites, and in the Yukon bush, all the while writing poetry, setting it to melodies in his head and singing it to himself as he worked. Little Miss Higgins struts and serenades her way onto any stage playing music brewed up in early country blues, jazz and folk.

Now, along with motherhood, Higgins has the newest addition to her list of accomplishments, My Home, My Heart. Through years of touring around the world, across Canada, and collaborating with Juno Award-winning performers, Eliana Cuevas has grown into an accomplished singer-songwriter and bandleader with unlimited colours in her compositional and lyrical palette.

The artist pay tribute to rural music of Caribbean from European influence. From the contredance to the quadrille through the minuet and troubadour, the percussionist plunges us under the arbor of the dancing melodies played at the time of the 19th century by the slaves. Accompanied by instruments such like banjo, violin, guitar or dobro, manouba bass kalimba and traditional percussions of the West Indies, lets be transported by this mixed music that crosses time and is part of the intangible cultural heritage of humanity.

Autorickshaw is a genre-bending, post-fusion powerhouse world-renowned for their seamless, downright cool-sounding blend of Indian classical music, jazz, pop and live-looping technology. Their music lies on the cultural cutting edge and the world has taken notice, with three JUNO nominations for World Music Album of the Year and numerous awards worldwide. We perform original pieces composed by the band members. The instrumental creature known as Oktopus extends its creative tentacles across the landscape of East European music with an effervescent concoction of new and reinvented elements of the repertoire.

Since , Oktopus has roamed across Quebec, Canada and Europe. A guerrilla, punk, brass band massive like no other, Lemon Bucket Orkestra trace their genesis back to the streets of Toronto where a quartet of busking troubadours quickly amassed a battalion of like-minded musical souls and the dozen-strong Orkestra was born. Heralded as a groundbreaking, genre-bending phenomenon their live shows are a truly immersive experience ranging from the ecstatic to the cathartic.

Resonant, acoustic chamber folk with an other-worldly edge, and a lyric presence that cuts deep. Raine is part prairie songstress, part story-weaver; Each song has a story, delivered between songs with humor and grace. Raine invites her love of the violin into the singer-songwriter genre, writing for violin and voice, as well as for guitar and voice, joined by cello and upright bass.

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Art is for everyone, music is for everyone. Annie Sumi is a critically-acclaimed, ethereal-folk artist from Southern Ontario. Her live performance is vulnerable; consistently inspiring the audience to feel something. With over live performances across Canada, the United States of America, and Continental Europe, this old-soul has shared her songs and stories with audiences around the world. Their intertwined voices dynamically convey vulnerability and strength, telling stories that confront the fragility of our world and ourselves.

Softly plucked strings, accordion swells, lush cello and upright bass arrangements give way to rip-roaring drums, soaring melodies and overdriven frenetic strums. Folk music has never sounded so immediate. Jack Pine takes his name from a veritable rising phoenix of the forest, the tree made famous in a Tom Thompson painting.

With The Fire by his side his unique and eclectic style is amplified by intricate acoustic rhythms and a heavy handed string-band sound. Aerialists meld their ferociously creative harmonic sensibilities and deep love for folk traditions into a post-rock coloured sound called prog-trad. The instrumental quintet draws from the wells of Nordic and Gaelic music, adding expansive textures and meticulously sculpted arrangements to create captivating, genre-defying new music on fiddle, lever harp, guitar, bass, and drums.

As a songwriter, he is a master at sensitively finding a new angle from which to express the hard times we all go through. Fiery violin dances with flamenco guitar, and acoustic strings meet electronic wizardry to create layers and depth of sound. Through this unique blend of global music they tell unbelievable stories of beauty and hope, and try to show the threads of our common humanity.

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They have performed at U. A Saskatoon native transplanted to the Niagara Region of Ontario, Suzie Vinnick is the proud owner of a gorgeous voice, prodigious guitar and bass chops and an engagingly candid performance style. Deer recently co-hosted the Indigenous music Awards. The disc is a genre-defying collection of carefully calculated catchy compositions encompassing measured grooves.

The panoramic sound is both ethereal and delicate, as Cindy concocts a new style for this work, an amalgam of dream pop and Moog synthesizer inflected folk all wrapped up in a silvery sheath of angelic vocals. It soothes, captivates, and rearranges frayed emotions into perfect order. La Suite is the result of the shared outlook of violinists Marie-Pierre Lecault and Robin Boulianne on the state of their instrument.

They present their universe through rhythmic instrumental music focused on their own compositions. Their first album, Inventions pour deux violoneux, was released in after seven years of work. Both Boulianne and Lecault switch with ease from violin to viola, exploring, enriching and liberating their ideas. These year-old blues men have been touring festivals and showcases throughout Canada, and their hard work shows; awarded the C.