Low-budget strip malls, cheap hotels, used car lots, nighttime bus stations, and half-deserted shopping centers provide a melancholy backlight to the wearying trials of dead-end jobs, hopeless love affairs, and frayed family ties that characters must endure while trying to maintain their dignity and give some semblance of meaning to their lives. Illinois, October That Jean de La Fontaine problematized the fable genre is now well known, thanks to American, British, and German criticism of the late twentieth century.
Basing their projects on critical editions and schoolbooks composed under the old dispensation, previous Anglo-American translators of the Fables have perpetuated the image of La Fontaine as the Gallic Aesop, more intricately melodic and stylistically adroit, to be sure, but ultimately slick, straightforward, and commonsensical. Only Marianne Moore—in a self-indulgent and finally useless caprice—wandered away from that model, making the French poems over in the quirky image of her own, often zoological masterpieces.
Now comes Norman Shapiro, whose La Fontaine not only coincides with current understanding of the original but also succeeds as poetry in English: subtly nuanced, dense, resonant, and compellingly re-readable. Ausable, September I also find myself observing that in these poems their most interesting syntactical moments often turn on a hinge and mirror back what the poet just wrote, with some important variation.
Rare bird, indeed; and difficult to execute, but it comes off in this poem brilliantly. Scribner, September Inevitably, in her selection there is the problem of subjectivity, though it is this factor that refreshes the series each year. No word-fun should be left undone. I wanted, that is, to add a CD; alas, it was not permitted.
And I respect that, says the painter. But I have enough respect for respect to insist. For insistence to turn the other cheek.gleninspybholhea.tk/map12.php
Part of a Man's Life
For the other cheek to turn the other cheek. Hence I appear to be shaking my head No. She believes she is a nest. The Disappearing Trick, by Len Roberts. Illinois, July When Len Roberts passed away this spring, we lost one of our best narrative poets at the height of his powers. In the mid-seventies, Roberts began writing poems as a way of coming to terms with the death of an abusive and alcoholic father, eventually creating a series of elegies complicated by resentment, sympathy, and tenderness in equal measure.
Here, memories of a drunken father and self-involved mother continue to be explored alongside seemingly endemic illness and loss in his own generation as well as the depression and emotional detachment of his children. The narratives represented are punctuated by a sense of personal and spiritual guilt that has been ingrained in Roberts since Catholic grade school.
To some extent, it is this guilt the book struggles against. These poems enact the pivots of the mind on those events and circumstances we are ultimately unable to rationalize. Farrar, Straus and Giroux, May The reader is never more than one step removed from the referent of loss, and yet, even as the speaker mourns, the poems resist despair.
Their emotion is never rendered maudlin or effusively sentimental. Persea, April Norton, September Diane Ackerman, however, breathes new life into the collection of World War II narratives in the story of Jan and Antonina, a Polish couple who owned a prize-winning zoo in Warsaw.
Dartmouth professor Leslie Butler looks at women and early democracy
When the German invasion leaves their zoo partially destroyed, they exploit the Nazi fascination with manipulating and preserving species in order to save not only their zoo but many Jews who shelter throughout their shattered menagerie. They hide in cages and are presented as guests and visitors to the once vibrant and unparalleled Polish zoo.
The book eases the reader out of the horrors of Nazi-occupied Poland and in to detailed, researched, and startlingly relevant descriptions of the species that the zoo housed. The struggle to survive becomes universal, as do the cruelty and barbarism surrounding them. Harcourt, August The answer, Walker explains, is on the order of 70, pounds. In this admirable field guide, Walker teaches the science of the atmosphere through the history of our developing understanding of it, with a pleasingly strong emphasis on narrative and anecdote.
Along the way, we learn about the composition of air and how the atmosphere, through the respiration of plants and animals, keys the metabolizing of foods, and how trees draw carbon dioxide from the atmosphere to construct their massive bulk.
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There is a long and fascinating explanation of how Marconi used the atmosphere to bounce electromagnetic signals prodigious distances, to the amazement of the world and the profound interest of business and governments, giving birth to radio. Minnesota, June Dawes, president of the fair, and his associates continued to push on with their vision of an exposition that would point the way to a better tomorrow. To this end, lavish designs from noted architects Raymond Hood designer of the Chicago Tribune skyscraper and Paul Philippe Cret helped instill a modernist sensibility to the fair and showed how reliance on architectural science and technology would allow for a break with past architectural forms and building methods.
Notre Dame, June This anthology includes thirty-one essays by African American scholars from Alexander Crummell to William Julius Wilson, arranged chronologically. In the US, institutionalized racism has been central to American society, and black scholars have always had to work both within and against its constraints.
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This is as true, the editors argue, of contemporary academics in Black Studies programs as it was for W. Moreover, they argue, the conventional critique of Black Studies as too political and insufficiently scholarly ignores the fact that the institutionalization of the modern social sciences was itself part of a political project to justify a racist social hierarchy. Nebraska, April This strange and complex double memoir by writer, scientist, and performing artist Aaron Raz Link and his mother, poet and feminist activist Hilda Raz, explores the complexities of transsexual life and the parent-child bond during the process of gender reassignment and its myriad medical, social, legal, and personal intricacies.
- Dying Eyes (Brian McDone Mysteries Book 1).
- Leslie Butler.
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- Dartmouth professor Leslie Butler looks at women and early democracy.
Like sex, like your face, like the small patch of skin at the base of the neck or the spine where people like to be tattooed, a name marks the space where private meets public. California, April During the spring of , Walt Disney faced a crisis. In response, members of the animation staff along with their trade unionist allies attempted to organize an independent union for the animators.
Minnesota, March This is not to say that Aydemir does anything wrong; he just never does anything particularly disruptive or stimulating or—as a reader of such a volume might expect—orgasmic. His readings of Proust, pornography, post-structuralism, and Western art are smart and well researched, and help contribute to a deeper understanding of semen as a source of male subjectivity. However, his study is never particularly playful, despite its criticism that masculinity is often far too serious.
These are all good people to know but also all theorists that, at this point, seem perhaps a bit obvious.
As a resource or reference book, Images of Bliss will serve the reader well. MIT, January During much of it he lived in unaccustomed lack of comforts and companionship in wartime Italy. Despite these hardships, this volume illustrates that Santayana thrived intellectually and remained productive in his small room in the nursing home of the Blue Sisters of Rome. Tucked up in bed with mended gloves during winters with insufficient coal, his overseas accounts cut off, Santayana entered his eighth decade completing his autobiography and his famous work The Idea of Christ in the Gospels.
Alabama, April Jerome McGann had us all going when he proposed an Experiment in Criticism to investigate the late Victorian aesthetic poet A.
The book was written in the form of an episodic dialogue, with McGann inhabiting the roles of various authoritative Swinburne critics across the first half of the twentieth century. But like the intensive historicism for which he is now well known, this so-called experimental form actually had a venerable, traditional precedent. We could nearly feel Brooks ousted by Bakhtin, the well-wrought writer laid under the interpretive fields. But this was more importantly a reinvigorating critical game, and a masque wholly appropriate to a dramatic lyricist like Swinburne.
In this new compilation, McGann looses his distinctive brand of historicism on contemporary poetry. Despite regular visits from the specter of Karl Marx the title is taken from his eleventh Theses on Feuerbach , McGann proves to have some new critical tricks up his sleeve. View cart Subscribe Login.
Mill and the Moral Character of Liberalism - Google книги
Additional Information. In this intellectual history of American liberalism during the second half of the nineteenth century, Leslie Butler examines a group of nationally prominent and internationally oriented writers who sustained an American tradition of self-consciously progressive and cosmopolitan reform.
She addresses how these men established a critical perspective on American racism, materialism, and jingoism in the decades between the s and the s while she recaptures their insistence on the ability of ordinary citizens to work toward their limitless potential as intelligent and moral human beings. This transatlantic framework informed their notions of educative citizenship, print-based democratic politics, critically informed cultural dissemination, and a temperate, deliberative foreign policy.
Butler argues that a careful reexamination of these strands of late nineteenth-century liberalism can help enrich a revitalized liberal tradition at the outset of the twenty-first century. In this intellectual history of 19th-century American liberalism, Butler examines the political and cultural thought of a group of nationally prominent and internationally oriented American intellectuals including editors and activists, poets and professors, critics and cultural innovators.
Writers such as George William Curtis, Thomas Wentworth Higginson, James Russell Lowell, and Charles Eliot Norton formed the core of an influential liberal program that worked in tandem with British intellectuals such as Leslie Stephen, John Ruskin, Thomas Hughes, and Goldwin Smith, to urge political ideals and cultural standards they saw as necessary sources of authority in a burgeoning mass democracy.
Their shared vision involved educative citizenship, print-based democratic politics, critically informed cultural dissemination, and a foreign policy that tempered force with the principles of reason and justice.