Guide Two Sonatas, No. 5, Opus 111 and No. 10, Opus 146: Organ Solo (Kalmus Edition)

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Die Nonne. Der Liedler. Text by Kosegarten. Text by Stadler, A. Text by Kosegarten ; Publ. Text by Schiller ; For satb and piano. Text by Kosegarten ; for ssb and piano. Claudine von Villa Bella. Text by Baumberg. Text by Schiller ; Two versions: 2nd for two voices. Text by Goethe ; Reused in D. Text by Baumberg ; Two versions: 2nd, publ. Text by Stolberg-Stolberg.

Text by Tiedge. Text by Schiller ; For ttb and piano. Text by Macpherson Ossian , from Dar-Thula , transl. Baron de Harold; Two versions: 1st is a fragment — 2nd publ. Text by Klopstock. Text by Schiller? Text by Klopstock , from Oden ; Two versions: 2nd publ. Text by Klopstock ; Two versions: 2nd publ. Text by Klopstock , from Oden ; Two versions. Text by Klopstock , from Oden.

Text by Klopstock ; Two versions. Text by Klopstock ; Three versions: 2nd publ. Text by Goethe ; Two versions: 1st publ. Text by Mayrhofer ; Two versions: 2nd publ. Text by Mayrhofer. For piano; No. Text by Salis-Seewis. Lied der Mignon. Text by Schiller ; Two versions: 2nd is Op. Text by Kosegarten ; Two versions. Die Freunde von Salamanka. Lob der Einsamkeit. Text by Schubart. Text by Claudius. Text by Collin, M.

Text by Matthisson ; Canon for three voices. Text by Uz. Text by Schober ; Piano intro probably not by Schubert. Text by Uz ; Fragment. For piano; Nos. Text by Goethe , from Faust I, 8. For violin? For violin; Nos. Text by Macpherson Ossian , transl. Sei, Mutter der Barmherzigkeit F major. E major No. For piano; AGA only Nos. Jesus Christus schwebt am Kreuze F minor.

Sonatina No. Text by Schiller ; Two versions. Text by Schiller. Text by Schlegel, A. Text by Salis-Seewis ; Four versions: 1st, publ. Text by Matthisson ; For ttb. Text by Uz ; For satb and piano. Text by Klopstock ; For voice s? Text by Uz ; Two versions: 1st, publ. Text by Hell. C major No. Text by Jacobi. Text by Gotter ; Fragment. String Trio, D Text by Mayrhofer ; Two versions: 2nd in 1st ed. Text by Jacobi ; Two versions: 2nd in 1st ed. Text by Pichler , from Idyllen. Adagio e Rondo concertante. Text by Metastasio , from Didone abbandonata II, 4; Aria for soprano and piano; Clean copy and three sketches; Last extant autograph with corrections by Salieri [15].

Text by Werner ; Sketch. Text by Schubart ; For b and piano. Text by Mayrhofer ; For b and piano. Text by Claudius ; publ. Text by Macpherson Ossian , from Domhnull mac Fhionnlaidh , transl. Text by Spaun ; Two versions: 1st is duet — 2nd publ. Text by Schober ; Publ. Text by Schober ; Two versions: 2nd is Op. Text by Schober. Text by Goethe , from Faust I, 18; Fragment. Moderato in AGA — Allegretto publ. Scherzo and Allegro. Grand Duo. Text by Schubert. Text by Mayrhofer ; Publ. Text by Schiller ; For b and piano. Text by John Luther translation ; For voice and figured bass.

Moderato — [? Text by Schmid ; Only known in Ferd. Schubert 's arrangements; Publ. Eight Variations on a French Song i. Le bon Chevalier.

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Theme after Hortense de Beauharnais ; For piano duet. Text by Petrarch , transl. Text by Schlegel, F. Text by Eberhard ; For satb and piano. Die Zauberharfe. Text by Tieck ; Fragment of a sketch. Text by Grillparzer. Text by Novalis , No. Text by Mendelssohn, M.

Text by Mayrhofer ; Two versions: 2nd is Op.

Extremes of Conventional Music Notation

Text by Goethe ; For b and piano. Text by Schiller ; Two versions: 2nd publ. Text by Mayrhofer ; Fragment. Text by Werner. Text by Novalis. Lazarus, oder: Die Feier der Auferstehung. Sakuntala also spelled Sacontala or Sakontala. Text by Goethe ; For ttbb and piano. Text by Pichler ; Two versions: 2nd is Op. Text by Willemer. Variation on a Waltz by Anton Diabelli. Text by Goethe ; Fragment. Adagio, Allegro — Andante — Scherzo — Allegro giusto; Sketches; First editions are completions by others piano reduction in Alfonso und Estrella.

Trois Marches militaires. Text by Engelhardt a. Text by Senn ; For b and piano. Text by Senn. Text by Platen. A minor Kyrie. Text by Platen ; Two versions: 2nd is Op. Text by Kleist ; For ssaa and piano. Unfinished Symphony. Wanderer Fantasy. Willkommen und Abschied. Text by Goethe ; Publ. Text by Leitner ; Publ. The second movement is lyrical. A good work for college graduation recitals and professional programs.

Oriana Publications Ltd. Simon Milton is a composer and clarinetist who was born in Penzance, Cornwall, and is a graduate of the Welsh College of Music and Drama. This is a new work in the traditional clarinet showpiece style that hews closely to tunes from Bizet's opera. College level with a duration of about 9 minutes.

This piece written for the Paris Conservatory competition in It is sectional with some mixed meter. College level with a duration of about 6 minutes. Henry Mollicone is an American composer. Elegy was commissioned by organist Douglas Cleveland. It is a one-movement work in a lyrical, meditative style. Its harmonic language is French-influenced, but the composer considers the piece primarily melodic. Although Elegy is not a programmatic work, it is based on musical materials that are varied throughout, and suggested to the composer a restful, pastoral setting.

Click on the cover image to view several pages of the score. This piece is an effective blend of Classical and Romantic styles. Range is moderate but technical parts require a fairly advanced performer. Two copies at this price. Breitkopf, , SS. For D clarinet and also includes an alternate part for A clarinet with many passages high in the altissimo. The Molter concerti are some of the oldest known for clarinet.

We can get the accompaniment parts for this concerto and for the other three. Contact us for details. D clarinet and alternate part for A clarinet. For D clarinet and also includes an alternate part for A clarinet. For D clarinet and also includes an alternate part for A. C Molter Concerto No. This edition has the piano part transposed to B-flat so that the E-flat clarinet can play the original part. Includes notes on Molter and the concerto in French and English.

This edition has the piano part transposed so that the E-flat clarinet can play the original part. We had a request for a cheaper arrangement and have imported this one from Italy. Born in Gerona, Spain, Xavier Montsalvatge became a major figure in the musical world of Barcelona, where he lived for most of his life. In addition to composing some works, Montsalvatge also worked as music critic and was professor of composition at Barcelona's Conservatori Superior. Two pieces from the soundtrack of the movie The Mission. Gabriels Oboe is especially popular. Click on the cover image to view the first page of the score of each piece.

Morris born is an Australian composer who also studied in London. This work is in three movements: I. With a strong jazz feel, II. Adagio, III. All movements feature mixed meter. Click on the cover image to view the first and last page of the clarinet part. Moritz Moszkovski Moszkowski was a German Jewish composer, pianist, and teacher of Polish descent who was particularly known for his piano music which is the source of these arrangements. They are from Op. The first dance is at a moderato tempo and has some triplet figures. It is at the intermediate level. The second dance is much more difficult.

Intermediate level. This edition contains solo parts for clarinet in A or basset clarinet in A. It is based on the urtext edition in the Neue Mozart-Ausgabe. It has a new easy to play keyboard reduction and first movement fermata embellishments from early 19th century sources. Baerenreiter TP , , PB, 80 pages. A miniature score for the Baerenreiter edition for clarinet in A. Also includes copies for comparison of the clarinet and basset clarinet parts. This new edition is the result of extensive research by Charles Neidich and incorporates lessons learned from the concerto fragment KV b as well as other sources.

It includes extensive notes and footnotes as well as sample eingangs. Click on the cover image to view a sample page early in the first movement from the bassett clarinet part. Baerenreiter BA , , PB, 80 pages. The traditional version non-basset clarinet suitable for performance use. Baerenreiter BA b , , PB, 82 pages. Suitable for performance use. This edition has the solo part for clarinet in A only, although the Preface discusses the use of the basset clarinet.

Nearly all of the tuttis are included in the clarinet part. This edition has notes on the history of the piece and on the editing in German and English. Virtually all of the tuttis are included in the clarinet part. We also have a version of this edition with an accompaniment CD and this music. It includes the basset clarinet and regular A clarinet parts on the same page. All of the tuttis are included in the clarinet part. Click on the cover image to view a sample page from the first movement. Masters Music, SS, 58 pages.

Another study score.

Beethoven Piano Sonata No. 32 in C minor, Op. 111

We can get the orchestral parts and full size score for this piece. C Mozart Clarinet Concerto K. Includes piano reduction and notes from Harold Wright's copy of this work. Henle, This edition contains solo parts for clarinet in A or basset clarinet in A with the basset portions notated in bass clef. It includes extensive notes and supplementary material including the complete fragment for basset horn in G. In this edition the clarinet part has all of the tuttis from the first and second movements and many from the third movement. Edizioni Musicali Eufonia, ?

In the preface Luigi Magistrelli writes: "Prof. Karl Leister's revision, recorded here, is a result of his vast wealth of experience in live and recorded performances of the work. Here he aims to underline an elegant phrasing with articulations which give much importance to the expressive content of the sublime Mozartian melodies, even in the virtuoso passages, where even the sixteenth notes can become an important part of a cantabile line.

Some of the original phrases in the low register of the basset clarinet have been retained in the revision of Prof. Karl Leister. Based on the regular Baerenreiter edition for A clarinet, this edition has the piano part transposed so the clarinet part can be played on a B-flat clarinet. Carl Fischer, , SS, G. This edition has the piano reduction transposed so the clarinet part can be played on a B-flat clarinet.

All of the tuttis are included. This edition has rests during the tuttis with a few measures of cues before the clarinet entrances. It is a cleaner looking publication with the piano part in larger print than the one above. International Music Co. There is a "cadenza" in the Adagio by Carl Baermann. This violin concerto works well on clarinet. Mozart wrote 17 church sonatas. The early sonatas were for two violins and organ continuo while the later ones were for full orchestra.

All are one movement. Allegro No. Andante No. The last is the most extensive with a four page clarinet part. This arrangement was originally published by Artaria in Vienna in Seveal notes in the basset range of the clarinet appear along with alternative notes. This edition includes notes on the editing and two pages of critical commentary. The editor comments: "Players who wish to use the piano reduction of the Grande Sonate version will probably find it more stylish and effective than most modern keyboard reductions.

As above but with the piano part transposed for use with B-flat clarinet. For clarinet in A. Includes brief notes on the history of this piece and the piano part for this edition. The arranger has tried to make this edition faithful to the original for violin but has also transferred some of the cantilena part from the piano to the clarinet as it works well there. Allegro moderato; II. Andante sostenuto e cantabile; and III. Rondo Allegro. Here is a performance of the first movement with a few small changes in octaves and articulation.

C Mozart Sonata in B-flat K. He believes that the key and consequent placement and the characteristics of the work which features wide leaps, arpeggios, and scales make it very appropriate for the clarinet. Largo, Allegro; II. Andante; and III. The score includes the original violin part. C Mozart Sonata in E-flat major K. This arrangement is of a work for piano four-hands that was originally in C major and was written in Benoy and A. These two pieces are from operas by Mozart. The second piece may be slightly more difficult but they are probably both US grade 3.

Click on the cover image to view the clarinet part for the first piece. Neil A. Kjos Music Co. A brief 3 minutes festival or recital solo for the more a young high school or advanced middle school student. It has a duration of 3 minutes and a publisher's grade of US 3. In three movements: Tempo di valse, Allegro with a short cadenza at the end , and Tempo I. C Variations on a Theme of Gluck K. Mozart arranged for Clarinet and Piano by Allen Sigel. To fill a long-standing void in classical music for clarinet and piano, Allen Sigel has transcribed this lovely work, adhering closely to the Mozart original but incorporating the clarinet cadenza from Tchaikovsky's Mozartiana which was based on this work.

This is music encompassing both subtlety as well as the wide range of expression found in Mozart's three great works for the clarinet. Dedicated to Mitchell Lurie who premiered this work in London in with the composer at the piano. There are several short cadenzas a piacere. Click on the coverage image to view the score. These fantasies from the works of Rossini are 1. Di piacer mi balza il cor from La Gazza Ladra , 2. Ecco ridente in cielo from the Barber of Seville , and 3.

Una voce poco fa also from the Barber of Seville. The second and third CDs have Una voce poco fa only. This advanced piece, written in and which the composer has recorded, is in four movements: I. Allegro giocoso, II. Andante cantabile, III. Allegro scherzando leggiero, and IV. Finale Presto. There are cadenzas in the first and last movements. The composer has provided notes in English and German about the piece and how he wants articulations to be played. This is an arrangement of a work for piano that is also called Une Larme or A Tear. Early high school level. This two movement work is suitable for recital and festival use by younger high school students.

The first movement begins with Recitatif and then alternates between Lent and Moderato. Duration 4'30". Nedbal was an Austrian cellist. Allegro deciso, II. Adagio, and III. For A clarinet. This is the highly regarded new edition of this work which is one of the great concertos for clarinet.

It has been reset and the printing is very clear. It is a continuous work with several sections or movements and two major cadenzas. It is one of the few clarinet concertos to have prominent percussion parts. This piano reduction includes the part for tamburo piccolo a small side drum which enhances the performance. It is a very difficult concerto, requiring excellent finger and tongue facility. We can get the orchestral parts and score for this piece.

We believe this is the earlier edition of this work. The clarinet part is essentially the same. Wilhelm Hansen, , SS. A very early Nielsen work about much different from his Clarinet Concerto.

Thompson Edition | Organ

It is a short one page work that starts with an Andante Cantabile section that is connected with a brief cadenza to final Allegro agitato. It is simple in style and suitable as a festival piece for high school students who prefer legato playing. A new edition of the piece above. Carl Nielsen's Fantasy Piece for clarinet and piano is an early work, written between the ages of 16 and This edition is based on the sole surviving source, long considered a copy, in Copenhagen's Royal Library, which has since been identified as an autograph manuscript.

Roger Nixon was an American composer, musician who had studied the clarinet , and professor of music. The piece has three sections beginning with an expressive Largo. The last section is a brief Adagio that concludes the piece. The piano part is important and alternates with the clarinet in maintaining the momentum. The piece can probably be performed by better high school students but it offers fun for older performers as well. Anders Nordentoft is a Danish composer.

This piece is suitable for better high school level clarinetists and above. Free shipping on this music to the US IF ordered with another item. After his popular Jazz Suite for Flute and Piano, this Jazz Suite ventures still further into the realms of jazz idiom and many passages even resemble Bebop improvisations. The underlying formal structures, however, are firmly rooted in the classical tradition. An alternative clarinet part has been included as this instrument shares a similar range to the alto saxophone and is likewise equally at home in both concert halls and jazz clubs.

In five movements: 1. Day dream Moderato - Swing , 3. Nocturne Moderato con espressione , 4. Chiaroscuro Moderato - Swing , and 5. Saxophone versions of all movements are on YouTube. Click on the cover image to view the first page of the clarinet part for Day dream. Born in Munich, he held appointments at Zurich and Wiesbaden before settling in London in Upper intermediate level with a duration of The publisher rates this as US grade 4 but that may be one grade too high the piano part is also easy. Here are samples pages from the publisher's web site.

Theodore Presser Co. Sean Osborn is both a virtuoso clarinetist, and an elegantly fun composer of "neo-populist" concert and recital music. In creating a sonata for his own performance on Eb Clarinet, Osborn's charm, dynamic energy, depth, and folkloric sense all culminate in a must-have major addition to the Eb Clarinet repertoire, already celebrated on state lists prior to publication. For advanced performers. Here is a video of the Jig.

Click on the cover image to view the last page of the final movement. Includes notated cadenza-improvisation sections taqasim and several quarter-tones sikha commonly found in Arabic music. This piece is frequently used for alto clarinet honor band auditions. It is in six sections and three increasing tempos. It is rated as US grade 4, but playing it on an alto clarinet will increase the challenge. The piano part is not difficult. This solo is featured in the zarzuela El molinero de Subiza The Miller of Subiza in a particularly important scene.

In the key of A minor, it has a definite Spanish flavor. Early College level with a duration of about Alexandre Ouzounoff is a French composer and bassoonist. Libeccio is the westerly or south-westerly wind which predominates in northern Corsica all year round; it frequently raises high seas and may give violent westerly squalls. This piece is at an Andante tempo.

Giacomo Panizza was conductor at La Scala during the last thirteen years of Ernesto Cavallini's time there as principal clarinet. He composed two operas and thirteen ballets for Milan, several times exploiting his brilliant first clarinetist with solos like this. The Ballabile con Variazioni variation being here meant in the balletic rather than the musical sense comes from Act III: a festa di ballo set in a magnificent banqueting hall. This was first performed in The title means mirror in the mirror. The piece is musically minimal, yet produces a serene tranquility.

The clarinet part is very easy it looks like an ensemble warm up exercise and the main issue in the piano part is concentration. It is about ten minutes long.

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Here is a version with clarinet on YouTube and another with a slower tempo. Both of these have dynamics there aren't any in the music. The movements of this piece, which was written in , are Allegro vivace, Larghetto affettuoso, followed by the Tema Andantino grazioso and three variations. The string parts are strictly accompaniment so little is lost when performing this with piano. This piece was written for an amateur clarinetist and is at the upper intermediate level. C Conversations Op.

Conversations was written in for Robert Bramley and first performed by him that year. It is a virtuoso work utilizing the dexterity of both performers. The piece is in three contrasting movements: an aggressive opening movement containing wide intervals and angular rhythms is followed by a dreamy second, in which the legato qualities of the two instruments are used. The work ends with a fiery showpiece full of cross-rhythms and glissandi.

All three movements make extensive use of the interplay between the clarinet and piano, hence the title Conversations. Duration is about 14 minutes. Andel, ? Maurice Pauwels is a Belgian composer, music educator, conductor, oboist, guitarist and accordionist. There are frequent variations in tempo. Click on the cover image to view the first page of the part for E-flat instruments.

Click here to view the first page of the part for B-flat instruments. Krzysztof Penderecki is a Polish conductor and composer. This is a challenging sectional work which is in one continuous movement. It includes quite a bit of mixed meter. This is one of Penderecki's earliest published works It is in three short movements: 1. Allegro, 2. Andante cantabile, 3.

Allegro ma non troppo. The duration is about 4 minutes. This piece was written around The first movement which has a strong Spanish flavor begins Lento y melancolico, then slows down more for a Muy lento section and concludes at a tempo slightly faster than the first with sextuplet arpeggios.

A showpiece for E-flat clarinet with the piano in an accompanying role. College level with a duration of about The publisher has found some more copies of this piece. We have at back in stock, at least for now. High school level with a duration of about This piece is not currently available.

The current stock is sold out and the publisher has not been given permission by the heirs of the composer to print more. The first section of this piece is marked Maestoso but the clarinet part is all cadenza. The second section starts out Moderato but increases in speed to Allegretto mosso. The next section starts Andante and then increases in speed followed directly by a Moderato section increasing in speed shortly before the end. This piece was written around and was originally for clarinet and wind band. It is in three movements: Largo the second half is a cadenza , which leads directly to an Adagio, that concludes with a short piano bridge to the final Allegretto.

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A college level showpiece with a duration of about It opens Moderato muy brillante , then a long expressive section in 6 sharps , followed by a return to the original key of B-flat with an extended cadenza and concludes at the original tempo. An advanced piece with a duration of about 7 minutes. A recent addition to the clarinet repertoire, this is a showpiece which will challenge both the technical skill and endurance of the clarinetist. This is another recent addition to the clarinet repertoire which will challenge both the technical skill and endurance of the clarinetist.

This very popular suite of tangos has been arranged for many instruments we carry the flute, soprano saxophone, clarinet quartet, and saxophone quartet editions. Includes parts for B-flat or A clarinet. Editions Henry Lemoine, , SS. Includes both clarinet and saxophone parts. This is a relatively new edition of this music originally published in , adding piano accompaniment written by Piazzolla, but which required much painstaking work on the manuscript before it could be published.

The clarinet part for use with the piano tends to be mostly in the lower two octaves of the instrument since it is a transposition of the saxophone part. There are some exceptions, however, since most of the six etudes end high in the saxophone altissimo. C Canzonetta Op. Marked Andantino moderato, this piece can by played by high school students with good technique lots of arpeggios and runs and who are comfortable with the rubato style. More advanced players will enjoy this piece as well.

We can get the orchestral parts chamber orchestra and score for this piece. There are very few differences between this edition and the Rubank version. The printing on this one is slightly clearer and the piano part is spread over one more page. This was the contest piece for at the Paris Conservatoire. The marked tempos are actually: Moderato, Andantino, Allegretto, and finally Allegro. Daniel Pinkham was an American composer, organist, and harpsichordist. This piece is in three movements: I. Andante Tranquillo, III. Early college level with a duration of about 12 minutes.

The organ part does not look difficult. There are some brief audio samples here the organ seems a bit too loud.

Related titles

C Tango Suite No. To paraphrase from the cover: A suite consisting of four movements - prelude, tango, air, tango. The first movement is rubato. The second has a fixed meter and is set up as a multi-faceted tale. The third movement can be improvised over an accompanying ostinato although a melody is also included. The fourth movement concludes the suite looking back on what has been. In our opinion, this piece is considerably easier than the Piazzolla tangos and will be good for the adventurous student and adult amateur who want to try a tango.

This suite has four movements: I. Tango, III. Milonga, and IV. It is intended to evoke the actual atmosphere of the tango. Similar in difficulty to Tango Suite No. Pleyel completed this work, originally for clarinet in C, some time before This edition has been prepared from two early editions and includes notes on the editing. The clarinet part which is for clarinet in B-flat has been prepared with attention to page turns.

Professor Heim describes this work as good repertoire for the advanced college level player. The clarinet range is concentrated in the lower two octaves with only brief extensions into the altissimo register. Prof Heim wrote, "The style of this work is strongly Classical with hints of Romanticism and it is excellent repertoire for the average college level player.

Walter Piston was an American composer of ballet, orchestra, and chamber music. Professor Heim regards this as one of the best concertos written in the twentieth century. He says that the clarinetist is required to have quick fingers and a fast tongue and that this is an excellent recital piece for graduate students and professionals. Duration is about 15 minutes. Here is a video with orchestra. Revised edition , edited by Millan Sachania. Three movements: Allegro Tristamente, Romanza, and Allegro con fuoco.

Heim wrote: "Fast parts are bright and happy, and slow sections are romantic, impressionistic, and beautiful. One of the best pieces in the repertoire and can be played by an excellent high school student. This edition also includes a download card with instant online access to demonstration and accompaniment tracks. A pupil of Parry and Stanford at the Royal College of Music, Alfred Pratt composed substantial orchestral works as well as a number of salon pieces.

The quotation at the head of the piece is the refrain from the poem Au Printemps by Gounod's librettist Jules Barbier, itself set to music by Gounod in Marked Allegretto scherzando, this is a college level piece with a duration of about Originally written for clarinet and organ, this two-movement work was premiered by Alfred Prinz in It was arranged for clarinet and piano in About 7 minutes.

A relatively recent work by Austrian clarinet legend Alfred Prinz In three movements: 1. Allegro energico, 2. Andante mosso, quasi Allegretto, and 3. Non troppo allegro. An interesting contemporary piece with lots of energy in the first and last movements. Requires strong technique. Duration minutes.

This piece was written in and dedicated to Julie De Roche. Allegro con spirito, II. Andante con moto, and III. Molto Vivace. This conservative contemporary work explores the lower range of the E-flat clarinet and utilizes many repetitive and unifying rhythmic patterns. The duration is about 9 minutes. Dedicated to Jorge Montilla, this four-movement piece has several tongue-in-cheek Prinz witticisms.

Fresh and joyous, II. KV b A-dur 9. KV G-dur. KV F-dur 2. KV D-dur 3. KV d G-dur 4. KV c C-dur 5. KV d C-dur. Bach J. Gabrieli, G. Fricker Preludes sur des Cantiques de Denizot, Op. Vorspiel 2. Prelude 2. Prelude 3.