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This is someone to explore more. It's a shame he is so little read today. Sep 29, Lamar rated it it was amazing.

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A masterpiece of world literature. Learning to read St. Jan 26, Glenn rated it it was amazing. One of the most influential books I've ever read - a mythic journey that speaks volumes. There are no discussion topics on this book yet. Nobel Prize. About Saint-John Perse. Saint-John Perse. Perse studied law at Bordeaux and, after private studies in political science, went into the diplomatic service in There he had a brilliant career.

He served first in the Peking embassy, and later in the Foreign Office where he held top positions under Aristide Briand and became its administrative head.

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He left France for the United States in and was deprived of his citizenship and possessions by the Vichy regime. From to , he was literary adviser to the Library of Congress. After the war he did not resume his diplomatic career and, in , retired officially with the title of Ambassadeur de France. He made the United States his permanent residence. His literary work was published partly under his own name, but chiefly under the pseudonyms St. Google Scholar. Cite Citation.

Permissions Icon Permissions. To a very large extent I leave aside the Occitan lyric: like all who work in this area, I recognize the centrality of the troubadours , but it would be impossible to take them into account adequately in the space available. As I shall point out later, however, it is by no means the case that all critics vould see the development of a literary, rather than performance-based, poetry in such simple linear lines: see D.

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Wimsatt Austin, University of Texas Press, , pp. Grundriss der romanischen Literaturen des Mittelalters , ii , Les Genres lyriques , ed. Rosenberg and S.


Danon, with music ed. For a somewhat more recent survey of research on this topic, and a nicely balanced one, see Dennis H. See for instance P. Yvan G.

  1. RESEARCH ON THE FRENCH MEDIEVAL LYRIC | French Studies | Oxford Academic.
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See most recently M. Roughly contemporary, and arguing on somewhat similar lines, is a collective volume: Hearing the Motet: Essays on the Motet of the Middle Ages and Renaissance , ed. See T. Altmann and Carleton W.

Jean-Philippe Toussaint - INDEX DES AUTEURS

Carroll Woodbridge, Boydell and Brewer, , pp. And which might therefore begin to answer W. Lavis and M. Petersen, M. Bruun, J. Llewellyn and E. Ostrem Turnhout, Brepols, , pp. Bibliographie und Materialien, — Munich, Saur, For a particularly sympathetic and stimulating exploration of the way rhetoric informs late-medieval verse, see Douglas Kelly, Medieval Imagination: Rhetoric and the Poetry of Courtly Love Madison, University of Wisconsin Press, In her entry in the Grundriss see above, note 6.

There have, for instance, been recent, scholarly editions of BnF n. Inglis [Geneva, Droz, ] , and of those parts of fr.

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IX I am thinking, of course, of the famous BNF fr. Baumgartner and N. A slightly different case is that of the lyric used as ornament or punctuation for a romance or other narrative — on which see Maureen Boulton, The Song in the Story. Brewer, ], pp. See C. David Cowling's edition of the Douze Dames de Rethorique. Published by Oxford University Press, , and cf. More specific mises au point include P. Jahrhunderts , ed. Cligner un regard dur sous un sourcil matois,.

Des rossignols puissants comme des cantatrices. Sorti du plus profond des parcs arborescents,. Et comme parfois la vie avec ses mains dures. Pourquoi toujours recommencer la vie?

Quoique nos heures soient sans drame et monotones,. Mais courage! La fin de tout est loin encore. Il leur importe peu que je meure ou je vive,. Et je me sens petite au monde, si furtive! Les bateaux qui peuvent venir. Dans le port, barques et gabares 1.

Craquent sans jamais en finir.